Author: Natalie Y. Moore
Titles: The BILLBOARD (A Play) and The South Side
Author: Dawn Turner
Title: Three Girls from Bronzeville
Date: September 18, 2022
Even more: They will discuss their careers as journalists during the last two decades. They will exchange conversations about the challenges, the work, the difficulties, the rewards, the joys and the accomplishments so far.
The Billboard is about a fictional Black women's clinic in Chicago's Englewood neighborhood on the South Side and its fight with a local gadfly running for City Council who puts up a provocative billboard: "Abortion is genocide. The most dangerous place for a Black child is his mother's womb," spurring on the clinic to fight back with their own provocative sign: "Black women take care of their families by taking care of themselves. Abortion is self-care. #Trust Black Women." The book also has a foreword and afterword and Q&A with a founder of reproductive justice. As a play and book, The Billboard is a cultural force that treats abortion as more than pro-life or pro-choice.
**One of Buzzfeed's 18 Best Nonfiction Books Of 2016**
A lyrical, intelligent, authentic, and necessary look at the intersection of race and class in Chicago, a Great American City
In this intelligent and highly important narrative, Chicago-native Natalie Moore shines a light on contemporary segregation in the city's South Side; with a memoirist's eye, she showcases the lives of these communities through the stories of people who reside there. The South Side shows the impact of Chicago's historic segregation - and the ongoing policies that keep the system intact.
Natalie Y. Moore covers segregation and inequality.
Her enterprise reporting has tackled race, housing, economic development, food injustice and violence. Natalie’s work has been broadcast on the BBC, Marketplace and NPR’s Morning Edition, All Things Considered and Weekend Edition. Natalie is the author of The South Side: A Portrait of Chicago and American Segregation, winner of the 2016 Chicago Review of Books award for nonfiction and a Buzzfeed best nonfiction book of 2016. She is also co-author of The Almighty Black P Stone Nation: The Rise, Fall and Resurgence of an American Gang and Deconstructing Tyrone: A New Look at Black Masculinity in the Hip-Hop Generation. Natalie is the author of “The Billboard,” a play about abortion; 16th Street Theater produced the play.
Natalie writes a monthly column for the Chicago Sun-Times. Her work has been published in Essence, Ebony, the Chicago Reporter, Bitch, In These Times, the Chicago Tribune, the New York Times, the Washington Post and the Guardian. She is the 2017 recipient of Chicago Library Foundation’s 21st Century Award. In 2010, she received the Studs Terkel Community Media Award for reporting on Chicago’s diverse neighborhoods. In 2009, she was a fellow at Columbia College’s Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media, which allowed her to take a reporting trip to Libya. Natalie has won several journalism awards, including a Casey Medal for Meritorious Journalism. Other honors are from the Radio Television Digital News Association (Edward R. Murrow), Public Radio News Directors Incorporated, National Association of Black Journalists, Illinois Associated Press and Chicago Headline Club. The Chicago Reader named her best journalist in 2017. In 2018, she received an honorary doctorate from Adler University. In These Times gave her the 2017 Voice of Progressive Journalism Award. Natalie frequently collaborates with Chicago artist Amanda Williams.
She is a 2021 USA Fellow. The Pulitzer Center named her a 2020 Richard C. Longworth Media Fellow for international reporting. In 2021, University of Chicago Center for Effective Government (CEG), based at the University of Chicago Harris School of Public Policy, welcomed her its first cohort of Senior Practitioner Fellows.
Prior to joining WBEZ staff in 2007, Natalie was a city hall reporter for the Detroit News. She has also been an education reporter for the St. Paul Pioneer Press and a reporter for the Associated Press in Jerusalem.
Natalie has an M.S.J. in Newspaper Management from the Medill School of Journalism at Northwestern University and a B.A. in Journalism from Howard University. She has taught at Columbia College and Medill. She is on the board of Seminary Co-op Bookstore and chair of the Harold Washington Literary Awards.
An “unmissable” (Vogue), “exceptional” (The Washington Post), and “evocative” (Chicago Tribune) memoir about three Black girls from the storied Bronzeville section of Chicago that offers a penetrating exploration of race, opportunity, friendship, sisterhood, and the powerful forces at work that allow some to flourish…and others to falter.
They were three Black girls. Dawn, tall and studious; her sister, Kim, younger by three years and headstrong as they come; and her best friend, Debra, already prom-queen pretty by third grade. They bonded—fervently and intensely in that unique way of little girls—as they roamed the concrete landscape of Bronzeville, a historic neighborhood on Chicago’s South Side, the destination of hundreds of thousands of Black folks who fled the ravages of the Jim Crow South.
These third-generation daughters of the Great Migration come of age in the 1970s, in the warm glow of the recent civil rights movement. It has offered them a promise, albeit nascent and fragile, that they will have more opportunities, rights, and freedoms than any generation of Black Americans in history. Their working-class, striving parents are eager for them to realize this hard-fought potential. But the girls have much more immediate concerns: hiding under the dining room table and eavesdropping on grown folks’ business; collecting secret treasures; and daydreaming about their futures—Dawn and Debra, doctors, Kim a teacher. For a brief, wondrous moment the girls are all giggles and dreams and promises of “friends forever.” And then fate intervenes, first slowly and then dramatically, sending them careening in wildly different directions. There’s heartbreak, loss, displacement, and even murder. Dawn struggles to make sense of the shocking turns that consume her sister and her best friend, all the while asking herself a simple but profound question: Why?
In the vein of The Other Wes Moore and The Short and Tragic Life of Robert Peace, Three Girls from Bronzeville is a “deeply personal” (Real Simple) memoir that chronicles Dawn’s attempt to find answers. It’s at once a celebration of sisterhood and friendship, a testimony to the unique struggles of Black women, and a tour-de-force about the complex interplay of race, class, and opportunity, and how those forces shape our lives and our capacity for resilience and redemption.
Dawn Turner is an award-winning journalist and novelist. A former columnist and reporter for the Chicago Tribune, Turner spent a decade and a half writing about race, politics, and people whose stories are often dismissed and ignored. Turner, who served as a 2017 and 2018 juror for the Pulitzer Prize in commentary, has written commentary for The Washington Post, PBS NewsHour, CBS Sunday Morning News show, NPR’s Morning Edition show, the Chicago Tonight show, and elsewhere. She has covered national presidential conventions, as well as Barack Obama’s 2008 presidential election and inauguration. Turner has been a regular commentator for several national and international news programs, and has reported from around the world in countries such as Australia, China, France, and Ghana. She spent the 2014–2015 school year as a Nieman Journalism fellow at Harvard University. In 2018, she served as a fellow and journalist-in-residence at the University of Chicago Institute of Politics. Turner is the author of two novels, Only Twice I’ve Wished for Heaven and An Eighth of August. In 2018, she established the Dawn M. Turner and Kim D. Turner Endowed Scholarship in Media at her alma mater, the University of Illinois at Urbana-Champaign.